On The Road - Thoughts On The Film

I've written quite a few times now about how excited I've been for the 2012 adaptation of Jack Kerouac's 1940's classic On The Road, well today I finally got to see it!

I think I read somewhere that this adaptation by Walter Salles was "respectful" and I totally agree. I got a really good feeling from the film right from the start from the use of old country songs and the background music which is primarily lonely jazzy bass and fits in perfectly with the era. Sam Riley (Who you may have seen in the Joy Division biopic Control) as Sal Paradise was, I thought, a really great casting choice. Like the character of the narrator in Palahniuks Fight Club, the film adaptation for this novel had to have one thing: a really great voice. We read the novel in "Sal's" voice all the way through and thankfully we get to watch the film in the same way; narrated by the gravelly old-world tones of Riley.

I also thought Tom Suttridge as Carlo Marx (Allen Ginsberg) was wonderful and so endearing! He was perhaps one of my favourite things about the film and his interactions with Dean (Garret Hedlund) were just as wacky as I'd imagined. At the start I thought Hedlund himself was maybe a little overdone as Dean Moriarty but by the end I was convinced he was the perfect choice for Dean and his portrayal was excellent.

So many people have criticized Kristen Stewart lately due to her affair with Snow White & The Huntsman director Rupert Sanders, and have taken that criticism with them while watching this film which is I think what has marred reviews on her performance. Stewart plays Mary-Lou, Moriarty's 16 year old wife. She is naive and in love and like all the other characters in the book is just looking for the wonder in life, and at doing that I think Stewart does well in the role. She, like Marx was portrayed very endearingly and I thought she was very likeable in the role, in fact I think I liked the film Mary-Lou more than the novel one.

It took around an hour for me to really feel like I was submerged in the story but at many points I smiled fondly at the pages coming alive in front of me, and at seeing characters in action who I have known for years in paper forms. Overall I really enjoyed the film. At 2 hours and 15 minutes it can be a bit of a heavy watch but as I said so enjoyable and definitely respectful. If you love the book I don't think you'll be disappointed.

On The Road - Jack Kerouac

“the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars.” 

I hadn't really been all that excited for the film adaptation of On The Road coming out, but the other day I did happen to see the trailer which had the "burn, burn, burn" quote in it, and I just love that quote, it reminded me of how much I enjoyed reading it so I thought i'd pick it up again.

 So, I'm sure there's not a lot of people who haven't heard of this book, a lot of people really love it and a lot of people seem to hate just because it's so well known and they like to be a little more esoteric in their favourites choices, I suppose. I however do love this book, it's just exactly what you expect from a road trip novel, its crazy, it's exciting and you can just read it over and over. I also personally love novels from this era, the era where:

 "the country was wild and bawling and free with abundance and any kind of freedom for everyone". 

As I've said, the book is a road trip novel set during the middle of the 20th century, the basis of which are Kerouac's own travels, written under the character name of Sal Paradise. There are actually four different road trips detailed in the book, taking place from 1947-1950.

The story is a simple one really, Sal Paradise is writing his first novel while living with his aunt. He first takes to the road to go to San Francisco after meeting Dean Moriarty, a character who is idolised by Sal for his freedom and love for life. On the way he makes new friends, revisits old ones, falls in love, and leaves it behind. Sal returns home but leaves again when Dean calls for him at Christmastime, heading to San Francisco again.

"It was three children of the earth trying to decide something in the night and having all the weight of past centuries ballooning in the dark before them."

In the third trip Sal's character has begun to develop, after publishing his first book and having more money, Sal heads to New York, again with Dean, but his sense of indipendance is growing, and he is starting to realise flaws in Deans character and strengthen his own. In the fourth trip Sal, Dean and another friend Stan, head to Mexico. In this part of the novel we really are seeing Dean as more of a flawed character than the glowing idol he was presented as earlier, because his character refuses to change, to "move with the times" as Sal's does. By the end of the novel, Sal has truly grown up, planning on driving to San Francisco once again where he plans to move in with a girlfriend. Dean, in continuing to live the beat lifestyle and refusing to change, leaves Sal abandoning the friendship, and the road, behind him.

"What is that feeling when you're driving away from people and they recede on the plain till you see their specks dispersing? - it's the too-huge world vaulting us, and it's

goodbye. But we lean forward to the next crazy venture beneath the skies." 

What's really interesting to me in the novel is that because it was written to be autobiographical, a lot of things (mainly characters names) were changed for publication, and several of the characters are major writers, such as Allen Ginsberg who appears in the novel as Carlo Marx, and William Burroughs who appears as Old Bull Lee, (and if I'm not mistaken I'm sure some of the experiences cross over with Junky). Also the character of Dean Moriarty himself, based on Neal Cassady was a huge influence in the beat generation and appears in influence of many literary characters formed in novels from this time, he is apparently the basis of Randle McMurphy in Kasey's One Flew Over The Cuckoos Nest and is also mentioned in Ginsberg's famous Howl.

I think the main purpose of On The Road really was just to let the youth know what was out there for them. Though Kerouac certainly wasn't the first to publish a book on the beat generation, I think On The Road really is looked at as the centrepiece for the movement now. It's so interesting to read because you see that all these great people whose works you've grown up with, they were all together and they all lived this beautiful transient trip together and we can live it with them because it's been captured so beautifully by these amazing stream of consciousness writers. I have no doubt that countless numbers of teenagers have tried to recreate what happens in this book and it's a reflection on the modern world that it just can't happen any more; we can't just take off and drive into the night to fall in love with everything.

As I've said, I love the book and I'd recommend it to anyone, it's a beautiful, exciting read.

Adding something to the mix...

Some of what I read during reading this:

Guernica - Brand New

Lives - Modest Mouse

I Will Possess Your Heart - Death Cab

Please, Please, Please Let Me Get What I Want - The Smiths

Early Morning Rain - Eva Cassidy

Infinite Arms - Band Of Horses

Blowing At A Wish - As Tall As Lions

Night Terror - Laura Marling

Fork And Knife - Brand New

Blackbird - The Beatles

You Really Got a Hold On Me - The Beatles

All Of Me - Angus And Julia Stone

Trailer Trash - Modest Mouse